The most noted definition is from Susan Sontag’s 1964 essay “Notes on Camp,” which says that camp emphasizes artifice, frivolity and shocking excess. It is a term that has always been linked to queer culture, but it is also heavily associated with old Hollywood: outrageous plots, dramatic closeups, over-the-top acting. The word “camp” first originated in England back in the 1800s and was typically associated with the behavior of gay men. Academics cannot agree on specific descriptions of camp and some people even say it exists outside of the realm of sensibility entirely. The art of camp is both nuanced and outrageously blatant and defining it is famously difficult. You don’t really know what’s happening or why it’s happening, but you damn well notice it. Camp is like being punched in the face by a peacock in a hat.
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